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Rick's September Tirade

Filth

I could use a bath, and not the kind you take in a tub. The ablution I'm talking about would require more than a leisurely half hour of soap and sudsy water.

After Bill Clinton's televised confession of his Presidential peccadilloes – and more to the point, after nine endless months of press punditry and prurience about said peccadilloes – I'm in dire need of a good cleansing. I feel begrimed by a sickening slime that has clogged my pores and coated my soul. It's as if I've been sleeping in hotel sheets that haven't been changed since last January. The accumulated crud is making me queasy.

The spectacle of a self-destructing U.S. President is always a sorry sight to behold. But what offends me is the cheesy tabloid quality of the melodrama being played out before our unbelieving eyes. We're not talking Euripides here, or even "Gone with the Wind." The actors and script are equally bad, very bad indeed. But we would expect nothing more. Compare Clinton with Don Giovanni, Kenneth Starr with Brutus, Monica Lewinsky with Medea, and Linda Tripp with – well, there IS no precedent for Linda Tripp. An age gets the heroes (or antiheroes) it deserves.

The current White House peep-show is only the most recent encrustation on the malodorous body of our culture. The grime has actually been building up for several decades now.

The sullying of Western civilization can be traced to no single event or milestone, though we could round up the usual suspects. We could cite the New York Armory Show of 1914, which introduced the empty iconoclasm of Modern Art to a mesmerized American intelligentsia. We could blame James Joyce for making obscurity fashionable, or Prohibition and jazz for unleashing a torrent of willfully bad behavior. But at least the 1920s seemed to have been epic fun, and all those mad young flappers and collegians embraced life with infectious exuberance. A decade that gave us Babe Ruth, F. Scott Fitzgerald, Louis Armstrong and flagpole-sitting can't be all bad.

It was after World War II that things began to slide in earnest, with the angle of descent pitching downward ever more sharply since the late sixties. The cult of the antihero glorified the rude attitude and semi-coherent mumblings of a young Marlon Brando and James Dean – fairly harmless by our standards, but monumentally influential in forging a powerful bad-boy brotherhood that flourishes to this day.

So now we celebrate Jack Nicholson and his triumphantly obscene leer. We revel in the degeneracy of liver-lipped Mick Jagger, still prancing robustly in his fifties. We applaud as Dennis Miller pummels us with profanity in every sentence of his seedy pop-commentaries. We delight in Howard Stern's endless references to his weenie. And these are just the mainstream guys – the most commercially viable of their breed.

If you want to see real antiheroes, just lift the doormat of the music world and peer at all the grotesque little life-forms crawling around underneath: the rap artists, metalmen, goths and similar gargoyles of popdom. How do these unlovable vermin inspire such loyalty? Why do we tolerate people with normal vision who wear sunglasses indoors? What do we find so confoundedly appealing about "in-your-face" entertainment? I don't want anyone in MY face, thanks.

Our culture has become hard, mean and dirty, like motel sex that bangs the headboards but produces not a scintilla of real romance. Look at the heartless faces of the fashion models in our magazines. Read a few chapters of Hunter S. Thompson and be contaminated by the putrescence of the world he observes. Check the banner ads for pornographic websites, their hired help wallowing naked in bodily effluvia. Drive through the back-streets of any major American city, and regard the bombed-out tenements, the barren acres of weeds and garbage, the graffiti that covers any notable monument or facade within reach of a spray-can. Regard the inhabitants of those blighted regions, and contemplate the stinking sordidness of their lives. You're gazing upon a civilization come to ruin at last.

The cynics and curmudgeons of every generation since Jeremiah have decried the decadence of their own times. And somehow civilization always managed to eke its way out of danger. But we may be approaching the limit of its resilience as the decay spreads beneath the surface – beyond the shallow tastemakers – and into the vital organs of society. We've been witnessing an unprecedented flight from virtue, because virtue bores us.

The late Roy Rogers, decent man that he was, could never establish a foothold in popular culture today. How could he hope to compete with Madonna or "South Park" or even the most obscure street-corner rapper? How could Jesus Christ himself hope to compete, even if he were to return with his own talk show? In a population too benumbed to perceive the subtle beauty of a life well lived, bad is good – and the badder the better. Wickedness jump-starts our jaded neurons; depravity sells.

But our pursuit of the perverse is like an addictive drug; we require ever-higher doses to attain the same level of titillation. We're already sated with the quarreling inbred lovers who infest daytime television. Rock musicians have to do more than smash their guitars and expose themselves onstage. As the purveyors of bad taste continue to push the envelope into previously uncharted territory, we'll see them invent new ways to shock us into watching.

Lounging in the comfort of our living rooms, we might find ourselves transfixed by a cannibal gourmet hour, or hidden-camera encounters between man and sheep. But I jest, of course. The actual entertainments would have to be nastier, more relentlessly hard-edged, completely devoid of redeeming satirical value. Like a band of profanity-spouting street punks kicking and raping a nun on live TV while Camille Paglia furnishes the play-by-play commentary. There we'd have the ultimate icon of our times, a perfect expression of the direction in which our culture is trending: raw energy and sexuality triumphant over virtue and tradition. In any clash of cultures, the side with the most energy prevails. Why not use our mass media to illustrate the point?

Of course, our mass media have been illustrating the point for years, if somewhat less graphically. Back in the fifties, the emergence of rock 'n' roll revealed that sex is power. No matter that our progenitors had been enjoying the delights of the bedchamber for countless centuries. What the rockers gave us was the notion of unfettered, uncouth, unromantic sexuality – no sweet-sad waltzes played by sighing violins, no garlands of flowers strewn upon the wedding-bed, no cameras cutting to the pounding waves on the beach. We began to like our sex hot, hard and nasty. And our attitude toward sex colored our attitude toward everything else. So we're left with a hot, hard, nasty culture: the culture of filth.

I've never been able to embrace that culture. When I make love, I want it to feel like love. When I swear, it's primarily in the presence of my malfunctioning computer. I harbor no affection for artists who submerge crucifixes in urine or Presidents who use the Oval Office to stain the dresses of impressionable young women.

But I've paid a price for my cultural vigilance. Just as a dishcloth gradually grows as dirty as the dishes it cleans, I've darkened a little more with each exposure to the ambient corruption. I feel the grime of postmodern civilization upon my skin; I've been contaminated. As I said at the outset, I need a bath.

Not in a tub, mind you. That's much too confining, and I don't care to watch the scum float to the surface as I scrub myself clean. No, what I have in mind is more purifying: a quick plunge into the wild primeval pool of our collective past, into the crystalline waters that inspired Homer to sing of Odysseus and the Sirens, that caused the Chinese poets to shed tears over falling plum blossoms, that inspired medieval masons to build the lofty towers of Chartres and the merry Elizabethans to make such sweet music. I'm plunging headfirst, my friends, and I'm plunging deep. I want to remember how life felt when it was fresh and new.

Won't you join me? We'll be back on dry land soon enough, and we'll be dirty again soon enough. But let's not think about it for now. Let's swim over to that waterfall and reclaim our innocence.

 

Here's the complete archive of Rick Bayan's immortal tirades for your reading pleasure:

December 2002 — Hello, I Must Be Going
November 2002 — A Raving Moderate
August 2002 — Is Western Civilization Worth Saving?
July 2002 — To Scam or Be Scammed
June 2002 — I Read the News Today, Oh Boy
May 2002 — Speechophobia
April 2002 — Fanatics on Parade
March 2002 — The Prestige Gap: A Lament
February 2002 — On Becoming a Dullard
January 2002 — Art for Slackers
December 2001 — An Unsolicited Christmas Card
November 2001 — A Tale of Two Tribes
October 2001 — On the Fallen Towers
August 2001 — Why Do We Bother?
June 2001 — Notes from a Doomed Planet
May 2001 — The Museum of Discarded Names
April 2001 — Indecision
March 2001 — A Slight Case of Insanity
February 2001 — Letter to a Conscientious Critic
January 2001 — The Cynic's Inaugural Address
December 2000 — The 50th Tirade
November 2000 — Travel Advisory
October 2000 — Beyond Work
September 2000 — More Work
August 2000 — Work
July 2000 — The Doves' Nest
June 2000 — Great Affectations
May 2000 — Tale of a Virtual Village
April 2000 — The World Is My Obstacle Course
March 2000 — A Living Heck
February 2000 — On the Treachery of Time
January 2000 — A Letter to the Future
December 99 — Rare Bird
November 99 — Not Just Another Obscure Ethnic Group
October 99 — Extinction Reconsidered
September 99 — Good Life, Bad Life, Better Life
August 99 — Household Relics: An Elegy
July 99 — A Meditation on Profanity
June 99 — In Praise of Sloth
May 99 — A Bug's Death
April 99 — Obligations!
March 99 — The Courage to Be Ordinary
February 99 — A Grave Story
January 99 — What's Left for Men?
December 98 — On the Uses of Friends
November 98 — A Cynic's Thanksgiving
October 98 — Grand Illusions
September 98 — Filth
August 98 — Will the Real God Please Stand Up?
July 98 — Adventures in Downsizing
June 98 — Lady Longevity
May 98 — Uniquely Human, Uniquely Clueless
April 98 — The Mathematics of Excess
March 98 — Humbuggery
February 98 — Love and the Single Cynic
January 98 — By the Sweat of Your Brow
December 97 — Is Suffering Unfashionable?
November 97 — The Tao of Housekeeping
October 97 — The Sensory Deprivation Blues
September 97 — Down with Natural Selection!
August 97 — Noise
July 97 — On Eating Our Fellow Creatures
June 97 — Trouble in Book-Land
May 97 — Interview with an Unemployable Man
April 97 — The Cynic's Dream
March 97 — Inequalities
February 97 — Flesh and Mortality
January 97 — How to Be a Success
December 96 — Why I Can't Hate Christmas
November 96 — How I Became a Cynic



Profile of a Cynic...

Photo of Rick Bayan

Rick Bayan was born and raised in New Brunswick, New Jersey, where he enjoyed an idyllic suburban childhood—the perfect background for a lifetime of cynical disillusionment.  He has held a number of typical jobs for an idealistic liberal arts graduate, including assistant editor of Rubber Age and managing editor of Container News.  At Time-Life Books he was assigned to write about plumbing fixtures.  His work as copy chief for Day-Timers, Inc., has won five advertising awards, none of which has dampened his cheerfully morose view of business and life.  He has written three books, including "Words That Sell" and "The Cynic's Dictionary," and tons of junk mail.

Bayan, who claims to be a "kinder, gentler cynic," currently lives in Allentown, Pennsylvania.  Be sure to revisit this site each month and read the latest cynical installment from Rick's Notebook.


 

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