Your Host, Rick Bayan
What Is Cynicism?
How To Know If You're A Cynic
714 Things To Be Cynical About
What Are You Cynical About?
Cynic's Message Board
Rick's Notebook
Cynic's Dictionary Sampler
Order The Cynic's Dictionary
Cynic's Hall Of Fame
Other Sites For Cynics
Cynic's Mailbag
Spread The Word!

Rick's Notebook

Profile of the author
Archive of past tirades
Weekly columns

 
Rick's August Tirade

Household Relics: An Elegy

About fifteen years ago I had a dream in which my parents, brother and I had gathered at the top of a hill. The mood was sweetly melancholy, like an ancient Chinese poem about the parting of old friends. My parents were taking their leave, heading for an unknown destination beyond the horizon, and they had some final words for their two boys.

We had broken off into pairs. On one side of the grassy hilltop, my mother was revealing to my brother the secrets of succeeding with women. I could overhear just enough tantalizing snippets to suspect that I was being deprived of timeless and essential wisdom. Meanwhile, my father was sifting through a sprawling mound of family memorabilia -- a disheveled archive full of vanished middle-class Armenians in faded sepia photographs on crumbling black album pages. "This was your Great-Uncle Sarkis," my father would tell me; "He was a dentist in Istanbul." I would nod and feel the burden of history grow heavy on my shoulders.

No matter that I never had a Great-Uncle Sarkis. The message was clear: my brother was to be the propagator of the family, and I was to be custodian of the relics. And so it has come to pass.

Now I find myself surrounded by boxes of sundry artifacts, piled high and deep, with just enough of a pathway between them to allow single-file travel from room to room. During the past month, you see, I've had to empty both my office and my boyhood home -- fifty-nine years of total occupancy reduced to mute and marginally useless remains, like Lenin's mummified corpse after the collapse of the Soviet Union. Do you keep the body or put it out with the trash? As duly appointed custodian of relics, I felt compelled to keep what I could.

My father died last fall; my mother had gone eight years before him. With a pang of regret, I decided to let the old homestead pass from our hands. It was just a regulation split-level of 1950s vintage, too cramped for comfort and too full of ghosts for me to think about building a new life there. I loved our back yard and always would; the jubilant gardens, the lush lawn with its shifting patches of sunlight, the green groves of pine, birch, rhododendron, wild cherry and sassafras soothed my soul like no other plot of earth on the planet. But it was time to move on.

From the house I harvested age-old correspondence and strange kitchen implements, white elephants and wooden end-tables. I packed boxes until they were heavy with books and records, files and photographs, representative specimens of my parents' wardrobes and a petrified remnant of our original living-room carpet.

I gathered my father's pipes, my mother's paintings, and a virtual museum of my own Baby Boomer boyhood: a boxful of 3-D View Master reels... my battered aluminum snow-coaster... our old Monopoly set, still holding handwritten I.O.U. notes from the 1960s... an original Davy Crockett comic book with Fess Parker on the cover... a surviving stack of REAL books from my Preliterate Period, though not as many as I had hoped to find... two dozen color-by-number Venus Paradise drawings in brilliant unearthly hues (a kid's glimpse of what heaven must look like)... my own primitive sketches of birds, castles, cartoon characters and a slightly tipsy Empire State Building... plus an assortment of models ranging from the Visible Man (complete with plastic innards meticulously painted in lifelike colors) to the battle-scarred H.M.S. Victory, which my mother periodically knocked off the dresser during her daily dusting. Missing and presumed lost: my official Duke Snider baseball bat -- a cherished possession, at least until I tied a local record by going hitless in two consecutive Little League seasons. By now it was probably part of a landfill in South Amboy, New Jersey.

While we were dismantling the home our parents had built, my brother and I were struck by the surprising mediocrity of their material possessions. Our father was a successful industrial microbiologist and a Cornell graduate; our mother was an artist. So why did their tastes run to plastic and polyester? Why so much Tupperware in our midst?

Like most members of the level-headed generation that came of age during the Depression and World War II, they hankered for all that was modern, practical and low-maintenance. They put their faith in a postwar commercial civilization that promised whiter whites and jumbo-size value. Plastic and polyester therefore loomed large in their domestic landscapes.

But these products were only a means to an end, and that end was a clean, cozy, comfortable, carefree suburban nest for themselves and their exuberant offspring. There was no need to impress the neighbors, probably because the neighbors never felt the need to impress us. So my father bought his clothes at Sears even after he finally had the means to shop at Brooks Brothers, and JC Penney remained my mother's favorite boutique until the end of her days.

I respect my parents for having avoided the materialist trap of equating high prices with high self-esteem. They lived simply and honestly, requiring no validation from the chi-chi crowd. They added grace to their lives with art and classical music, and enjoyed the love of a close-knit family. It's no wonder that when the late '60s rolled around, I couldn't find a single reason to take to the streets with the scruffy collegiate Marxists of my generation. Their folks, not mine, had been the ones building gilded swimming pools and gulping martinis at the club.

The true value of what my parents had left behind became apparent one day as I dug deeper into the secret recesses of the old house. My brother had returned to work, leaving me alone with the empty rooms and benevolent spirits. I was cleaning out my mother's dresser drawers, one by one, with mixture of tender regret and an archeologist's fascination with the past. I began to notice that as I lifted the most recent layers from the top of each drawer, I uncovered successive strata from earlier decades until, at bottom, I was staring straight into the 1950s.

Was it possible that these artifacts had lain there undisturbed since my childhood? I recognized a blouse, black with pale gold polka dots, that my mother had worn in those days. When I was six I drew her portrait while she was wearing it, and here it was again, unseen by me for over forty years. It was like stumbling into King Tut's tomb, but all the more haunting because I actually KNEW this King Tut. I had discovered a person I hadn't seen in four decades -- my own mother as a young woman, radiant again, her spirit full of gentle mirth and melody. And suddenly I was six, and felt again how it was to be six, before deadlines, self-doubt and the dubious virtues of sophistication had bleached the brighter colors from my rainbow. I felt the incomparable contentment of a six-year-old who knows in his heart that the world is a safe and wonderful place, despite the dragons under the bed and the witches in the woods, because his parents are there to protect him. It was a brief return to Eden.

Suspended in my time-warp all that afternoon, I uncovered relics in every room of the house. I found our original chrome-trimmed kitchen table, site of my earliest recollected meals... the very place where I first tasted liverwurst sandwiches and cream-of-mushroom soup. My historic Cub Scout uniform turned up at the bottom of our colossal trunk, looking freshly pressed and ready for my next pack meeting. The rediscovery of early bedspreads, old coats and woolen winter pants, paleolithic curtains and slipcovers activated individual brain cells that had been slumbering for over forty years. Time was receding to the point of my earliest memories and wordless sensations: of being dusted with baby powder, of bedding down in the crib with my small menagerie of stuffed companions, of hearing soft lullabies and strains of ancient radio music. My parents were in those primeval memories, just as I remembered them: those big people with the soothing voices, hovering benevolently over their dark-haired boy, lulling him to dreamland then and even now.

When I opened a little oblong cardboard box and came face-to-face with the twin figures from the top of my parents' wedding cake, it was more than I could bear. The cynic pinched his nose, sniffled, and let the tears flow.

All that day, and in the days that followed, I had uncovered nothing of material value -- just as the relics of a saint have no material value. And yet these household relics had the power to cure more than gallstones and lumbago; they were time machines in disguise. Through their power I had been able to glimpse my parents, through the layers of decades, as I remembered them when our house was new. Then, just as I was getting to know them again, it was time to say goodbye.

When my brother arrived back on the scene, we began to discard everything we couldn't keep or put into storage. I looked down at our old crib mattress, stained and splitting after forty years in the attic, and hesitated. My brother, reading my thoughts, did his best impersonation of an aged mattress: "Let me go, Ricky," he said, in a voice wrinkled with weariness and wisdom. "It's time for me to die."

The wise mattress had a point. Why do some of us hold the past in such a tenacious grip? Death and the passage of time are facts of life. The present is always slipping into the past, and the past no longer exists.

Furthermore, the cherishing of relics is by nature an unrequited love; the things can't love us back. So why do we bother to keep them well beyond their allotted spans?

Because we find comfort in them. And in an indifferent world -- a world without benevolent parents to protect our frazzled souls -- that comfort is worth all manner of riches. My own prized collections of antique maps and coins, autographs and historic newspapers, fascinating as they are, provide paltry emotional returns compared to the worthless scraps of paper, plastic, wood and cloth that I salvaged from home.

The irony is that the cold-blooded antiques will outlast the beloved domestic artifacts. Long after I've been lowered into the ground to become plant food, my collections will still be fetching money in online auctions and antique shops. But by then the old household relics will have been consigned to the dumpster -- photos, letters, baby clothes and all. They hold no meaning for anyone outside my orbit, and they'll die with me. Like the people who loved them, they're mortal. It seems ruthless and unjust but somehow fitting; it's the way of the world.

Anyway, I let the old crib mattress die. It was a hard thing for a custodian of relics to do, but it had to be done. My parents would understand; after all, I had to let THEM go when I closed up the house for the last time and drove away. Besides, I had kept more than enough relics to comfort me well into the new millennium.

I'm looking at one of those relics now: a photograph taken during my parents' honeymoon at Lake George, New York, in 1946. Some four dozen honeymooners, lined up like a baseball team in bobbysocks, fill the panoramic shot from end to end. My parents are two small faces in the back row, smiling serenely at the camera, so alike in their harmony of expression that you'd think they were twins. I like to believe they're still there, perpetually twenty-five, on a perpetual honeymoon in a perpetual 1946.

I wonder how the other couples fared, those simple, curly-haired 1940s couples, their minds swimming with healthy hormones and Tommy Dorsey tunes. I wonder how many of them are gone now, how many are still married, how many of the marriages ended in grief. It doesn't matter: in the photograph, all of them are forever frozen in a moment of bliss, including my parents, so young and full of hope, dreaming perhaps of the years ahead, of the children they'd come to know, of the life they'd build together... a life now reduced to boxes of relics.

You can't dump those dreams into the trash. At least I can't. After all, I'm the custodian.

 

Here's the complete archive of Rick Bayan's immortal tirades for your reading pleasure:

December 2002 — Hello, I Must Be Going
November 2002 — A Raving Moderate
August 2002 — Is Western Civilization Worth Saving?
July 2002 — To Scam or Be Scammed
June 2002 — I Read the News Today, Oh Boy
May 2002 — Speechophobia
April 2002 — Fanatics on Parade
March 2002 — The Prestige Gap: A Lament
February 2002 — On Becoming a Dullard
January 2002 — Art for Slackers
December 2001 — An Unsolicited Christmas Card
November 2001 — A Tale of Two Tribes
October 2001 — On the Fallen Towers
August 2001 — Why Do We Bother?
June 2001 — Notes from a Doomed Planet
May 2001 — The Museum of Discarded Names
April 2001 — Indecision
March 2001 — A Slight Case of Insanity
February 2001 — Letter to a Conscientious Critic
January 2001 — The Cynic's Inaugural Address
December 2000 — The 50th Tirade
November 2000 — Travel Advisory
October 2000 — Beyond Work
September 2000 — More Work
August 2000 — Work
July 2000 — The Doves' Nest
June 2000 — Great Affectations
May 2000 — Tale of a Virtual Village
April 2000 — The World Is My Obstacle Course
March 2000 — A Living Heck
February 2000 — On the Treachery of Time
January 2000 — A Letter to the Future
December 99 — Rare Bird
November 99 — Not Just Another Obscure Ethnic Group
October 99 — Extinction Reconsidered
September 99 — Good Life, Bad Life, Better Life
August 99 — Household Relics: An Elegy
July 99 — A Meditation on Profanity
June 99 — In Praise of Sloth
May 99 — A Bug's Death
April 99 — Obligations!
March 99 — The Courage to Be Ordinary
February 99 — A Grave Story
January 99 — What's Left for Men?
December 98 — On the Uses of Friends
November 98 — A Cynic's Thanksgiving
October 98 — Grand Illusions
September 98 — Filth
August 98 — Will the Real God Please Stand Up?
July 98 — Adventures in Downsizing
June 98 — Lady Longevity
May 98 — Uniquely Human, Uniquely Clueless
April 98 — The Mathematics of Excess
March 98 — Humbuggery
February 98 — Love and the Single Cynic
January 98 — By the Sweat of Your Brow
December 97 — Is Suffering Unfashionable?
November 97 — The Tao of Housekeeping
October 97 — The Sensory Deprivation Blues
September 97 — Down with Natural Selection!
August 97 — Noise
July 97 — On Eating Our Fellow Creatures
June 97 — Trouble in Book-Land
May 97 — Interview with an Unemployable Man
April 97 — The Cynic's Dream
March 97 — Inequalities
February 97 — Flesh and Mortality
January 97 — How to Be a Success
December 96 — Why I Can't Hate Christmas
November 96 — How I Became a Cynic



Profile of a Cynic...

Photo of Rick Bayan

Rick Bayan was born and raised in New Brunswick, New Jersey, where he enjoyed an idyllic suburban childhood—the perfect background for a lifetime of cynical disillusionment.  He has held a number of typical jobs for an idealistic liberal arts graduate, including assistant editor of Rubber Age and managing editor of Container News.  At Time-Life Books he was assigned to write about plumbing fixtures.  His work as copy chief for Day-Timers, Inc., has won five advertising awards, none of which has dampened his cheerfully morose view of business and life.  He has written three books, including "Words That Sell" and "The Cynic's Dictionary," and tons of junk mail.

Bayan, who claims to be a "kinder, gentler cynic," currently lives in Allentown, Pennsylvania.  Be sure to revisit this site each month and read the latest cynical installment from Rick's Notebook.


 

site design by:
<IMG SRC="lowf-logo.gif" WIDTH=151 HEIGHT=51 BORDER=0>